logo-oibr
  • OIB
    • About
    • News
    • Director's Yearly Address
      • Director's Address 2020
      • Director's Address 2019
      • Director's Address 2018
      • Director's Address 2017
    • Advisory board
    • Reports
    • Newsletter
    • In the Media
    • Gallery
  • Events
  • Research
    • Current projects
      • From Arabic to Latin: Moving sciences of music around the Mediterranean (Rosy Azar Beyhom)
      • Abrahamic Interdependence - Relationship of the Islamic to the Jewish in Marital Law (Ahmed M. F. Abd-Elsalam)
      • Lebanon’s Art World at Home and Abroad: Trajectories of artists and artworks in/from Lebanon since 1943 (LAWHA) (Nadia von Maltzahn)
      • Cultural Policies in Lebanon: Cultural Institutions between State and Society (Nadia von Maltzahn)
      • The New Testament quotations in Ibrahim al-Biqāʿīs (st. 1480) commentary on the Koran (Thomas Würtz)
      • Balance as Justice: Deconstruction of premodern ethics on the basis of Qinālīzāde ꜤḲınālīzāde ʿAlī Çelebī’s Akhlāq-i ꜤAlā’ī (Fatih Ermiş)
      • Fictio Statis (Pierre France)
      • Discourses on Statehood in Iraq (Christian Thuselt)
      • From Copying to Burning the Qur’an: Creating Models & Transposing Sacrality (Alya Karame)
      • Living in Liminality (Sarah El Bulbeisi)
      • Escape to Europe: Comparative Refugee Imaginaries (Markus Schmitz)
    • Previous projects
      • The Lebanese Intifada of October 17: Perspectives from Within (Birgit Schäbler)
      • Relations in the Ideoscape: Middle Eastern Students in the Eastern Bloc (1950's to 1991) (Birgit Schäbler)
      • Europe and the Middle East (Birgit Schäbler)
      • Picturing the (Un)Dead: Reflections and Deconstructions of Lebanese and Iranian "Martyrs" in Contemporary Photo-Related Art-Practices (Agnes Remeder)
      • Hierarchical Rationality of Religious Beliefs System in Islamic and Christian Theology (Qodratullah Qorbani)
      • The inimitability of the Qur’ān (i‘jāz al-qur’ān) in transconfessional contexts of the early ῾Abbāsid period (Hans-Peter Pökel)
      • Cultural Mobilities and Political Spaces (Christopher Bahl)
      • Al-Qadi al-Fadil (Stefan Leder)
      • Bedouin Syria (Johann Büssow)
      • Borrowing and lending (Jonathan Kriener, Ruhr-Universität Bochum)
      • Clergy and conflict management (Thomas Scheffler)
      • Higher Education and Citizenship in Egypt (Daniele Cantini)
      • History Writing at Lebanese Universities (Jonathan Kriener)
      • Knowledge in postgraduate studies (Daniele Cantini)
      • Mamâlik – Spatial Dynamics of Islamic Polities (Kurt Franz)
      • Media culture transformation (Hanan Badr)
      • Museums in Dialogue with the Future (Felicia Meynersen)
      • Political slogans (Nader Srage)
      • Political thought (Stefan Leder)
      • Rural societies in an age of urbanisation (Astrid Meier)
      • S.C.R.I.P.T. - Source Companion for the Research on Islamic Political Thought (Stefan Leder)
      • Talking about art – aesthetic reflection in Egypt and Lebanon (Monique Bellan)
      • Tracing an author’s library (Torsten Wollina)
      • A Literal World: Perceiving the World as a Linguistic Construction before the Emergence of the Metaphor in Arabo-Islamic Thought (Abdallah Soufan)
      • Open Arabic Periodical Editions (OpenArabicPE) (Till Grallert)
      • “Women on the streets!: a genealogy of food riots in the Middle East between the 18th and 20th centuries“ (Till Grallert)
  • People
    • Directorate
    • Research Associates
    • Visiting Fellows
    • Affiliated Researchers
    • Alumni
    • Library
    • Administration
    • IT
    • Publications
    • Technical Staff
    • Vacancies
      • Kinderbetreuung / Leben und Arbeiten im Libanon
  • Publications
    • BI · Bibliotheca Islamica
      • About BI
      • Recent Issues
      • Full List
    • BTS · Beiruter Texte und Studien
      • About BTS
      • Recent Issues
      • Full List
    • OIS · Orient Institut Studies
      • About OIS
      • Recent Issues
      • Full List
    • Extra Series
      • About
      • Recent Issues
      • Full List
    • Latest Publications
  • Library
    • About
      • Library Team
      • History
    • OIB Catalogues
      • GoTriple
      • OPAC
      • IPAC
    • Repositories & databases
    • Online registration
    • Collection
    • Library Regulations
  • Academic Support
    • Fellowships
      • Doctoral Fellowships
      • Postdoctoral Fellowships
      • OIB Research Relief Fellowships 2022/2023
      • Hans-Robert Roemer Fellowships
    • Affiliations
    • Internships
    • Guest rooms
Back to Events

Waving the Mantle of the Prophet

Public research seminar

Orient-Institut Beirut

Wednesday, 25. January 2023, 19:00-21:00

25
January

Click here to maximize


The Journey of Umm Salama's narration of Hadith al-kisa over ten centuries

Live streaming link: https://maxweberstiftung-oi-beirut.webex.com/maxweberstiftung-oi-beirut/j.php?MTID=m951edbf5499a8eefaab0f7c7f9a02eaf


Abstract:
Ḥadīth compilations went through a complex evolution from ṣaḥīfa, juz‘,risāla, sunan, musannaf, jāmiʿ, musnad, muʿjam, mustadrak and mustakhraj, each reflecting choices and different methodologies of their compilers/collectors. To illustrate this evolution, this study looks at the journey of one particular ḥadīth, narrated by Umm Salama, Mother of the Believers, tracing its 135 different versions found in Sunnī collections and the 185 versions found in the Shi’ite collections. The oldest Sunni one was collected by Affān b. Muslim (d. 219AH/834AD) and the last one was collected by al-Ibn Hajar al-Asqalani (d. 852AH/1449AD) covering almost six centuries. The oldest Shi’ite version was collected by Salīm b. Qays (d. 80/699) and the last one was collected by Allāma al-Majlisi (d. 1111/1627) covering almost ten centuries. The different versions of the narration reveal seven distinct story lines or plots. Though the variations differ considerably in details, certain characteristics remain, namely a fairly constant frame story and a relatively variable enclosed content, with the main characters staying the same and some new characters being added. Furthermore, there are some noticeable common themes regarding the additions or omissions from the main body of the narration. This study attempts to answer several question: why are there so many different versions of a narration by one person? Do these differences reflect the choices of the compilers/editors as well as their interference with the material? What do these differences reflect? Was the ḥadīth manipulated to reflect sectarian ideologies, political developments, and theological frameworks or are the differences merely dramatic tools used for the benefit of the different audiences or both? Do compilers/editors of hadith collections have certain personal agendas?


Bio:
Yasmin Amin works at the Orient-Institut Beirut as Representative of the Orient-Instituts Beirut (Max-Weber-Stiftung) in Cairo. She is an Egyptian-German who holds a BA in Business Administration, a PGD and an MA in Islamic Studies, all three from the American University in Cairo. She received her PhD in Islamic Studies from Exeter University’s Institute of Arab and Islamic Studies researching ‘Humour and Laughter in the Ḥadīth’. Her research covers various aspects of gender issues, early Muslim society and culture as well as the original texts of Islamic history, law and Hadith.

 

Find us on Google Maps

    • footer logo
    • footer log2
    • SITEMAP
    • DATA PROTECTION DISCLAIMER
    • IMPRESSUM
    • Rue Hussein Beyhoum 44
      Zokak el-Blat
    • +9611359423
    • sek@orient-institut.org

Follow us:

© 2021, OIB All Right Reserved.Design & Developed by Comfu